A white blade printed with flat cartoon figures in orange, red, green and blue, drawn in the crude paper-cutout style of the show the finish is named after; the crowd is packed into the wide part of the blade and the point is left blank white, as is the finger ring. The gloves are black with a light tan panel across the back of the hand. The karambit comes from Southeast Asia, its curved blade following the line of a tiger claw, with a ring at the butt for one finger.

The view model holds 3,939 polygons against the stock knife’s 1,040, on 40 bones, under 28 textures. Three cover the glove, the fingers and the skin at 252×123, 124×126 and 252×255, the stock sizes; the rest are named after the parts of the knife they wrap, among them 712×120 and 700×119 bands, a 564×213 strip on the spine and a 652×165 map on the guard. There is no chrome map. The idle runs 268 frames, the draw 29 and each slash 35. The archive carries the view model only: no sounds come with it, and with no third-person model the knife stays standard in other players’ hands and on the ground.