Feathered strokes of magenta, teal and acid green sweep along the blade with thin white outlines between them, and the pattern carries over onto the ring and the spine, so the whole knife reads as one continuous airbrushed creature. The gloves are the stock black ones, which keeps the colour on the blade. The karambit comes from Southeast Asia, its curved blade following the line of a tiger’s claw, with a ring in the handle for the finger.

The view model holds 3,939 polygons against the stock knife’s 1,040, easy work for the engine, and rests on 40 bones under twenty-eight textures. Three of those are the hand maps at the stock sizes, 252×123, 124×126 and 252×255, kept under the porter’s own file names; the other twenty-five are pieces of the knife, among them a 712×120 strip and a 552×299 panel. There is no chrome map. The idle runs 268 frames and the draw 29. Both other views were rebuilt: 13,938 polygons in other players’ hands where the stock model has 112, and the same 512×512 map on the dropped knife, so the finish holds up on the ground too. Nine knife sounds come with the archive.