Electric blue and cyan strokes cut across a black slide, brightest along the top edge and around the ejection port, where a solid blue block fills the cut. The magazine floor and the lower part of the frame pick up the same blue, and the rest stays matte black. The hands wear glossy black gloves with skin showing at the wrist.

View model at 3790 polygons against 882 on the stock first-person Glock-18, player and world models at 3190 against 78. The paint is spread over 24 sheets of uneven sizes, the widest 1244×145, with three more for skin, fingers and glove. Sequences are numbered rather than named, so no separate inspect take. Seven sounds: two shot takes plus magazine in and out, draw, slide back and slide release.